This edited collection brings together leading academics, researchers, and police personnel to provide a comprehensive body of literature that informs Australian police education, training, research, policy, and practice. There is a strong history and growth in police education, both in Australia and globally. Recognising and reflecting on the Australian and New Zealand Policing Advisory Agency (ANZPAA) education and training framework, the range of chapters within the book address a range of 21st-century issues modern police forces face. This book discusses four key themes: Education, training, and professional practice: topics include police education, ethics, wellbeing, and leadership Organisational approaches and techniques: topics include police discretion, use of force, investigative interviewing, and forensic science Operational practices and procedures: topics include police and the media, emergency management, cybercrime, terrorism, and community management Working with individuals and groups: topics include mental health, Indigenous communities, young people, hate crime, domestic violence, and working with victims Australian Policing: Critical Issues in 21st Century Police Practice draws together theoretical and practice debates to ensure this book will be of interest to those who want to join the police, those who are currently training to become a police officer, and those who are currently serving. This book is essential reading for all students, scholars, and researchers engaged with policing and the criminal justice sector.

This edited collection brings together leading academics, researchers, and police personnel to provide a comprehensive body of literature that informs Australian police education, training, research, policy, and practice. There is a strong history and growth in police education, both in Australia and globally. Recognising and reflecting on the Australian and New Zealand Policing Advisory Agency (ANZPAA) education and training framework, the range of chapters within the book address a range of 21st-century issues modern police forces face. This book discusses four key themes: Education, training, and professional practice: topics include police education, ethics, wellbeing, and leadership Organisational approaches and techniques: topics include police discretion, use of force, investigative interviewing, and forensic science Operational practices and procedures: topics include police and the media, emergency management, cybercrime, terrorism, and community management Working with individuals and groups: topics include mental health, Indigenous communities, young people, hate crime, domestic violence, and working with victims Australian Policing: Critical Issues in 21st Century Police Practice draws together theoretical and practice debates to ensure this book will be of interest to those who want to join the police, those who are currently training to become a police officer, and those who are currently serving. This book is essential reading for all students, scholars, and researchers engaged with policing and the criminal justice sector.

Includes a CD-ROM with GPS data sets for exercises in Trimble SSF and ESRI shapefile formats-plus other valuable learning resources Provides step-by-step guidance on applying the concepts using GPS hardware or a PC Presents an overview of concepts and self-study projects and exercises in each chapter Covers the capabilities and features common to most receivers Solutions manual available upon qualified course adoption

Sir Adrian Boult (1889-1983) was one of the greatest English conductors. He had a long association with the BBC, as director of music, and, more famously, as the permanent conductor of the BBC Symphony Orchestra. When forced to retire from the BBC at sixty (the BBC's retirement age) in 1949, Boult's career entered a long, productive Indian Summer. He was the principal conductor of the London Philharmonic Orchestra for six years, he conducted the music for the 1953 Coronation and he recorded prolifically, his final recording being in 1978 when he was eighty-nine. Sir Adrian's conducting and recording repertoire was formidable but he will be forever associated with English music. He conducted the first performance of Holst's suite 'The Planets'. Elgar said to him in 1920, 'I feel that my reputation in the future is safe in your hands'. His recordings of Butterworth, Elgar, Holst, Parry and Vaughan Williams, where not definitive, still provide a benchmark. It is fitting this biography is written by Michael Kennedy for, through his extensive writings, he has made a comparable contribution to the cause of English music. This biography, for which Michael Kennedy had unrestricted access to Sir Adrian's diaries, notebooks and a large number of letters, was first published in 1987.

Since the publication of the bestselling second edition of The Global Positioning System and GIS, the use of GPS as an input for GIS has evolved from a supporting analysis tool to become an essential part of real-time management tools in wide-ranging fields. Continued technological advances and decreased costs have altered the GPS vendor landscape significantly and opened the door to an array of receiver and software options.

Retaining the in-depth description that made the previous edition so popular, The Global Positioning System and ArcGIS, Third Edition has expanded its coverage to review the capabilities and features common to most receivers. While it emphasizes Trimble and Magellan hardware and Trimble TerraSync and ESRI ArcPad software to capture data, the text 's broadened coverage makes it useful with virtually any hardware/software packages, so readers will be able to collect GPS data and install it in ArcGIS regardless of the data capture mechanism.

Covering the latest developments in this emerging field, the third edition has been updated to include:

• New information on automated data collection
• Updates to the conversion of GPS data into GIS form with ArcGIS Desktop (v. 9.3) as well as ESRI software
• An examination of differential correction and improvements in accuracy of collected data
• Additional emphasis on ArcMap and Pathfinder Office
• Illustrations using ArcMap to combine GPS data with other data sets including raster DRGs, DOQs, DEMs, and various vector data sets

Using a top-down approach, each chapter begins with a theoretical overview followed by self-study exercises and projects that provide step-by-step guidance on applying the concepts using GPS hardware or a PC. The text includes a CD-ROM with GPS data sets for exercises in Trimble SSF and ESRI shapefile formats, plus other valuable learning resources.

Solutions manual available upon qualified course adoption

Was Richard Strauss the most incandescent composer of the twentieth century or merely a bourgeoisie artist and Nazi sympathizer? For the fifty years since his death on September 8, 1949, Richard Strauss has remained dogmatically elusive in the wider body of musical and historical criticism. Lauded as nothing less than the "greatest musical figure" of his time by Canadian musician, Glenn Gould, in 1962, Strauss also has attracted his share of posthumous epithets: in summary, an artist who lived off his own fat during his later years. As recently as 1995, the English critic Rodney Milnes wrote, "the court of posterity is still reserving judgment." In Richard Strauss: Man, Musician, Enigma, biographer Michael Kennedy demonstrates that the many varying shades of criticism that have painted this figure in the past half century resemble the similar understandings and misunderstandings held by his contemporaries--perceptions that touched almost every aspect of Strauss' life and career. Introducing his detailed work more as a broad explication than a firm answer to the Straussian riddle, Kennedy's scope includes the exuberant, extroverted Strauss of young adulthood as well as the phlegmatic and aloof middle-aged man who resembled a "prosperous bank manager;" the arch-fiend of modernism and the composer who redefined the term; a man who professed to lack all spiritual curiosity and a musician who penned the touching ballet Der Kometentanz; an at times almost humble family man and an artist who claimed to be as interesting as Napoleon and Alexander the Great. Kennedy clearly elucidates his enigmatic subject by building his analysis around the few constants in Strauss' life: his profoundadmiration for German culture, his dependence on his own family for guidance, and his "Nietzschean total absorption in art." This frame offers everyone from Straussian scholars to general readers an insightful and easy-to-follow biographical narrative. Kennedy also deals at length with Strauss' problematic relationship with Nazi authorities, detailing his incompatible roles as the father-in-law of a Jewish woman and as one of the country's leading composers. Michael Kennedy is the chief music critic of the (London) Sunday Telegraph and the author of many books about music.

This important new biography of Elgar draws on letters and documents which have become available in the last twenty-five years. Michael Kennedy, a leading scholar of British music and a distinguished musical biographer, uses this new material, which includes Elgar's own vast correspondence, in an attempt to get to the centre of the composer's complex personality. Elgar's letters reveal his unpredictable swings of mood, from gaiety and a fondness for puns to morose self-pity and a feeling that he was 'not wanted', and although much of Elgar's music sounds confident and coherent, it also has an underlying layer of unease, melancholy and insecurity. His relationships with his wife and other women friends are a continuing thread in the life of a man who remained acutely conscious of his lower middle-class origins in spite of his meteoric rise to fame, honours in Edward VII's reign and friendship with the King.

." . . prodigious research . . . results in a perceptive analysis . . . the outcome is an exemplary work and a major contribution in understanding the role of the Jacobin clubs in the history of the French Revolution." . Choice ." . . a solidly researched and well-written book. Kennedy has done much to provide new information regarding the inner workings of the Jacobin clubs in the Revolution." . Labour/Travail A pendant to two well-received books by the same author on the departmental clubs during the early years of the Revolution, this book is the product of thirty years of scholarly study, including archival research in Paris and in more than seventy departments in France. It focuses on the twenty-eight months from May 1793 to August 1795, a period spanning the Federalist Revolt, the Terror, and the Thermidorian Reaction. The Federalist Revolt, in which many clubs were involved, had momentous consequences for all of them and was, in the local setting, the principal cause of the Reign of Terror, a period in which more than 5,300 communes had clubs that reached the zenith of their power and influence, engaging in a myriad of political, administrative, judicial, religious, economic, social, and war-related activities. The book ends with their decline and final dissolution by a decree of the Convention in Paris. Michael Kennedy is Chair of the History Department at Winthrop University."

"Incredible, inspiring, infinitely readable" - Craig Thompson, author of Blankets "The story was tremendous, a real page-turner. And I loved Michael Kennedy's artwork." - Frank Quitely "[Tumult] reads like an art house thriller. An ode to cinema, it has shades of Jim Jamusch or a hipster Hitchcock, and some of the boldest, most original art I've seen in years" - Christian Ward "Unique, thrilling and illustrated with gusto" - Michael Allred Tumult is the coolest indie movie on paper. Oblique, funny and beautiful work from two future comic stars!" - Sean Phillips Adam Whistler has it all, so why does he feel so empty? When he breaks his ankle on a Mediterranean holiday he impulsively ends his relationship, toppling himself into emotional free fall. At a house party he meets-and beds-the lovely Morgan. But when he encounters her a few days later she has no memory of him and introduces herself as Leila. Leila has dissociative identity disorder, or multiple personalities. People are being murdered and Leila fears that Morgan, the personality Adam first met, is the killer. He doesn't believe that any part of her is capable of it, so he sets out to unravel the mystery of her past. Tumult is a stylish, contemporary psychological thriller in the vein of Alfred Hitchcock and Patricia Highsmith.

This important new biography of Elgar draws on letters and documents which have become available in the last twenty-five years. Michael Kennedy, a leading scholar of British music and a distinguished musical biographer, uses this new material, which includes Elgar's own vast correspondence, in an attempt to get to the centre of the composer's complex personality. Elgar's letters reveal his unpredictable swings of mood, from gaiety and a fondness for puns to morose self-pity and a feeling that he was 'not wanted', and although much of Elgar's music sounds confident and coherent, it also has an underlying layer of unease, melancholy and insecurity. His relationships with his wife and other women friends are a continuing thread in the life of a man who remained acutely conscious of his lower middle-class origins in spite of his meteoric rise to fame, honours in Edward VII's reign and friendship with the King.

The thirteenth volume in the Documents on Irish Foreign Policy (DIFP) series runs from April 1965 to July 1969. It covers the Fianna Fail governments of Sean Lemass (April 1965 to November 1966) and Jack Lynch (November 1966 to July 1969) in which Frank Aiken was Minister for External Affairs. The four years and three months covered by DIFP XIII saw significant changes in the international context in which Ireland conducted its foreign policy. In 1965 the hope of the Department of External Affairs was that Ireland would enter the European Economic Community (EEC) before 1970. EEC entry would take place alongside that of Britain, an Anglo-Irish Free Trade Area (AIFTA) having come into operation in 1966, cementing trade between Ireland and its principal trading partner. Overall, the United Nations would remain the benchmark of global Irish foreign policy. Peacekeeping, advocating nuclear non-proliferation and ensuring the proper financing of the United Nations as well as promoting decolonisation and the universality of the United Nations system within the bipolar world of the Cold War remained central to 1960s Irish foreign policy. These assumptions were thrown out of balance by the continuing refusal of France to facilitate the expansion of the EEC and EEC membership remained out of reach for Ireland. Dublin's fragile relations with Belfast were destabilised with the emergence of new social and political forces in Northern Ireland and the recurrence of sectarian violence. The Department of External Affairs proved initially unable to respond comprehensively to this new environment in Northern Ireland, which was the precursor to the outbreak of the Troubles in 1969. Improved economic and political relations with London were affected by local and international economic difficulties and also as a consequence of events in Northern Ireland. At the United Nations, superpower politics constrained Irish attempts to follow up the success of the 1968 Nuclear Non- Proliferation Treaty with a major policy initiative on the financing of international peacekeeping missions.

Was Richard Strauss the most incandescent composer of the twentieth century or merely a bourgeoisie artist and Nazi sympathizer? For the fifty years since his death on September 8, 1949, Richard Strauss has remained dogmatically elusive in the wider body of musical and historical criticism. Lauded as nothing less than the "greatest musical figure" of his time by Canadian musician, Glenn Gould, in 1962, Strauss also has attracted his share of posthumous epithets: in summary, an artist who lived off his own fat during his later years. As recently as 1995, the English critic Rodney Milnes wrote, "the court of posterity is still reserving judgment." In Richard Strauss: Man, Musician, Enigma, biographer Michael Kennedy demonstrates that the many varying shades of criticism that have painted this figure in the past half century resemble the similar understandings and misunderstandings held by his contemporaries--perceptions that touched almost every aspect of Strauss' life and career. Introducing his detailed work more as a broad explication than a firm answer to the Straussian riddle, Kennedy's scope includes the exuberant, extroverted Strauss of young adulthood as well as the phlegmatic and aloof middle-aged man who resembled a "prosperous bank manager;" the arch-fiend of modernism and the composer who redefined the term; a man who professed to lack all spiritual curiosity and a musician who penned the touching ballet Der Kometentanz; an at times almost humble family man and an artist who claimed to be as interesting as Napoleon and Alexander the Great. Kennedy clearly elucidates his enigmatic subject by building his analysis around the few constants in Strauss' life: his profound admiration for German culture, his dependence on his own family for guidance, and his "Nietzschean total absorption in art." This frame offers everyone from Straussian scholars to general readers an insightful and easy-to-follow biographical narrative. Kennedy also deals at length with Strauss' problematic relationship with Nazi authorities, detailing his incompatible roles as the father-in-law of a Jewish woman and as one of the country's leading composers. Michael Kennedy is the chief music critic of the (London) Sunday Telegraph and the author of many books about music.

Now available in paperback and with over 10,000 entries, the Oxford Dictionary of Music (previously the Concise Oxford Dictionary of Music) offers broad coverage of a wide range of musical categories spanning many eras, including composers, librettists, singers, orchestras, important ballets and operas, and musical instruments and their history. Over 250 new entries have been added to this edition to expand coverage of popular music, ethnomusicology, modern and contemporary composers, music analysis, and recording technology. Existing entries have been expanded where necessary to include more coverage of the reception of major works, and to include key new works and categories, such as multimedia. Entry-level web links are listed and regularly updated on a dedicated companion website, expanding the scope of the dictionary. The dictionary now also includes two useful appendices, one listing French, German, and Italian musical terms with their English translations, and an abbreviations list for letters commonly used in musical scores and musical writing. The Oxford Dictionary of Music is the most up-to-date and accessible dictionary of musical terms available and an essential point of reference for music students, teachers, lecturers, professional musicians, as well as music enthusiasts.

New edition of the bestselling guide to mastering Python Networking, updated to Python 3 and including the latest on network data analysis, Cloud Networking, Ansible 2.8, and new libraries Key Features Explore the power of Python libraries to tackle difficult network problems efficiently and effectively, including pyATS, Nornir, and Ansible 2.8 Use Python and Ansible for DevOps, network device automation, DevOps, and software-defined networking Become an expert in implementing advanced network-related tasks with Python 3 Book DescriptionNetworks in your infrastructure set the foundation for how your application can be deployed, maintained, and serviced. Python is the ideal language for network engineers to explore tools that were previously available to systems engineers and application developers. In Mastering Python Networking, Third edition, you'll embark on a Python-based journey to transition from traditional network engineers to network developers ready for the next-generation of networks. This new edition is completely revised and updated to work with Python 3. In addition to new chapters on network data analysis with ELK stack (Elasticsearch, Logstash, Kibana, and Beats) and Azure Cloud Networking, it includes updates on using newer libraries such as pyATS and Nornir, as well as Ansible 2.8. Each chapter is updated with the latest libraries with working examples to ensure compatibility and understanding of the concepts. Starting with a basic overview of Python, the book teaches you how it can interact with both legacy and API-enabled network devices. You will learn to leverage high-level Python packages and frameworks to perform network automation tasks, monitoring, management, and enhanced network security followed by Azure and AWS Cloud networking. Finally, you will use Jenkins for continuous integration as well as testing tools to verify your network. What you will learn Use Python libraries to interact with your network Integrate Ansible 2.8 using Python to control Cisco, Juniper, and Arista network devices Leverage existing Flask web frameworks to construct high-level APIs Learn how to build virtual networks in the AWS & Azure Cloud Learn how to use Elastic Stack for network data analysis Understand how Jenkins can be used to automatically deploy changes in your network Use PyTest and Unittest for Test-Driven Network Development in networking engineering with Python Who this book is forMastering Python Networking, Third edition is for network engineers, developers, and SREs who want to use Python for network automation, programmability, and data analysis. Basic familiarity with Python programming and networking-related concepts such as Transmission Control Protocol/Internet Protocol (TCP/IP) will be useful.

Seminar paper from the year 2013 in the subject Politics - International Politics - Topic: Peace and Conflict Studies, Security, grade: B+, Webster University, language: English, abstract: This report provides an analysis of the conflict which exists in combatting maritime piracy in Somalia. It identifies key factors that are responsible for the development of Somali piracy and the actors which aim to stop it. Furthermore, the report addresses the legal, social, militaristic, economic, and political complications that arise from varying international strategies to effectively combat policy. The report outlines several underlying historical and geographical factors followed by the impacts that Somalia has faced in terms of its central government's collapse in 1991. As is discussed, Somalia as a failed state has allowed for piracy to flourish in conjunction with the described underlying factors. It also describes the cyclical trend, or feedback loop, that many of these factors have for promoting piracy while piracy in return antagonizes the issues caused by these factors. The obstacles towards combating piracy are also discussed demonstrating the difficult scenario that policymakers will need to address in order to effectively treat the cause of piracy. In order to identify the contradiction that exists pertaining to the issue of Somali piracy, this report will focus on Somalia's fractured society and its incompatibility with international democratic norms. As will become evident, the reduction of piracy hinges on the ability for Somalia's central government to stabilize. However, due to the mentioned fractured society within Somalia, the ability to develop a stable and functional democratic government is in direct conflict with the nature of Somali society.

Seminar paper from the year 2013 in the subject Politics - International Politics - Topic: Peace and Conflict Studies, Security, grade: A, Webster University, language: English, abstract: During the 1960 s and early 1970 s, a rise in Quebec nationalism led to an independence movement through violent means. Although violence was characteristic of a relatively small group of individuals compared with the moderately supportive general public, the Front de Liberation du Quebec (FLQ) was successful in eliciting public support for its cause. However, due to a series of responses by the Quebec provincial government and Canadian federal government, public support quickly declined following the implementation of the War Measures Act in October 1970. Although a risky decision on the part of the federal government, the War Measures Act successfully halted violent terrorist tactics in the name of Quebec sovereignty. This furthermore produced a foundation for Quebec separatists, moderates and FLQ members alike, to vote on independence through legitimate means. The growth and effectiveness of domestic political terrorism can be analyzed through theoretical frameworks. Furthermore, the actions of target groups to combat terrorist objectives are also important in understanding the ability of whether a terrorist organization will succeed or not. The need to understand the cause of terrorism also aids in understanding whether it can be successfully eliminated. Through the lens of Nicholas O. Berry s (1987) Theories on the efficacy of terrorism, this paper examines the Quebec separatist movement and the rise and fall of the Front de Liberation du Quebec terrorist group."